So often we encounter quilts that are just stunning, I mean…AMAZING. The bling incorporated into the design, the ribbons we see hanging from them; it makes us want to run and hide. But believe it or not often it’s those quilts that don’t “sparkle” or haven’t won awards that are priceless.
It’s not always about the “gift wrap”. Some of my most precious quilts are the ones that are utility quilts, or ones that I have created for those I love; not designs I made in order improve my quilting professionally. For example the quilt shown below was a project for a dear friend who, at the time, was battling cancer. There was no bling, or specialty fabric used, on the contrary, the emotional aspect of this quilt outweighed any materialistic part of this design by leaps and bounds.
Let’s also consider quilts that we receive as gifts. My sister-in-law, Judy, who is kind enough to travel with me to shows (I’m sure many of you will recognize her in the picture below) made me that awesome quilt. Now, I’m not insinuating Judy isn’t talented, my point is that this quilt wasn’t produced with all the bells and whistles seen at quilts shows, on blogs, etc. Judy wasn’t “gift wrapping” her design so those in quilting community would rave about her talent. No, this priceless piece was made just for me, and trust me this quilt and I bond every night on the couch (or taken on the road with me to shows).
The quilt displayed below was a gift my dear friend Mandy sent to me. I was completely shocked to receive this beautiful quilt, as it was sent with the intentions of giving me a little “pick me up”. Her mission was accomplished and she won the award for kindness and friendship!
So let’s face it, we can admire those talented quilters surrounding us. Fellow quilters that encourage us to better our techniques and push our creativity to another level are individuals we should respect. BUT it isn’t always about the “gift wrapped” quilts. Quite often it is those “silent” designs that in our hearts have ribbons pinned to them, and are wrapped with love; those are the quilts that truly matter.
Do you have a quilt that didn’t amazing “gift wrap” but mean a lot, or did you give a quilt that wasn’t all about the gift wrap? I’d love to hear your story!
I have had many requests for the Baptist Fan pattern and how to accomplish this technique. This made me realize that it has been quite some time since I have posted a tutorial, so today is your lucky day if you want to be in the know on how to accomplish the Baptist Fan! So to my machine I will go and get this little instructional video going!
Before I get into full swing sewing away, I wanted to give everyone a little reminder that my birthday is TOMORROW! Which means my BIRTHDAY SALE will commence! You can take advantage of 15% until May 7th! Might be the perfect time to fill your cart with some circle rulers which will allow you to produce the lovely Baptist Fan design shown below. My birthday only comes once a year so celebrate with me and enjoy a little retail therapy!
I love the texture of the Baptist Fan pattern, and its traditional look; and in the first video I will educate viewers on how I do produce an all over Baptist Fan Design. Now this isn’t a technique that you can complete in a few minutes. It will take a little dedication, and many will say using a pantograph would be much faster. I cannot deny that fact, however, I find that this treatment comes out beautifully using the ProCircle rulers, sizes 3, 5, 7, 9, and 11.
In the second tutorial I demonstrate how to complete a border. Remember I am LAZY! I don’t challenge the brain with additional math problems if it’s not necessary. I want to be working on my design not calculating numbers! LOVE IT! For this specific border I incorporated the ProCircle Rulers, again selecting sizes 3, 5 and 7. These rulers are extremely versatile, and can be utilized in so many ways! That being said more circle videos are in the works! So hopefully you will have a better understanding after watching these tutorials on how to complete the Baptist Fan. If you tried tackling this technique after watching these videos let me know how you made out!
My adventure in longarm quilting took off in 2004, and at that time I longed to be able to stitch out a pantograph. Alas, I did NOT seem to have any talent for producing a pantograph. I was totally “Pantograph Challenged” which was a blessing, unbeknownst to me, in disguise. But during that time period it was sadly, quite clear pantographs and Lisa weren’t going to be friends.
My inability to stitch a panto forced me to initiate my work from the front of my machine. It became apparent if I wanted any of my designs to come alive on fabric I would need to start the process off this way. I took baby steps, to begin it was just a meander. Next I incorporated stars, loops, and hearts to this meander. As my baby steps grew, the strides in designs grew. Over time I was no longer taking steps; I was running! My confidence finally paved the road to implementing feathers, feathers flew into custom, custom brought about stitch in the ditch…and so on, and so on, and so on.
Being “Pantograph Challenged” was fate. I truly believe that piece of my quilting journey drove me to become the quilter I am today. If creating pantos had been smooth sailing from the get go I often wonder where I might be now.
So this raises a question to many quilters: Are Pantos a Good Place to Start?
They aren’t necessarily a bad place to begin. I encourage my students to become more familiar and comfortable standing in front of the machine, rather than behind the machine. Starting in the front of the machine will help in a couple of ways:
Gaining insight and understanding regarding “proper balance”. Was the quilt evenly quilted or did it become smaller and tighter on one side?
Hearing the sound of the machine when things go awry. With some machines the sound changes, (i.e tension) In addition, being positioned in front of the machine will provide the ability to SEE the stitches. Obviously having a visual will allow immediate access to viewing issues.
After about a year, I became proficiently decent at pantos. I vividly recall completing an entire row of quilting, only to spend an unpleasant amount of time ripping out the that row due to tension issues. Yes, I had heard the machine, it sounded a little different. Yes, I chose to ignore it. And yes, I ultimately paid the price for my lazy choices. What took 15 minutes to establish, took 3 hours to eliminate. That most definitely was not a good quilting day.
Are you new to your machine? If so I would ask you to consider working from the front of your machine for a couple of months prior to diving head first into attempting any pantos from behind. Then let me know how the transition went.